Flags of Our Fathers is a 2006 American war film directed, co-produced, and scored by Clint Eastwood and written by William Broyles Jr., and Paul Haggis. It is based on the 2000 book of the same name written by James Bradley and Ron Powers about the 1945 Battle of Iwo Jima, the five Marines and one Navy corpsman who were involved in raising the flag on Iwo Jima, and the aftereffects of that event on their lives.
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Until June 23, 2016, Bradley's father John Bradley, Navy corpsman, was misidentified as being one of the figures who raised the second flag, and incorrectly depicted on the memorial as the third bronze statue from the base of the flagstaff with the 32-foot (9.8-m) bronze statues of the other five flag-raisers on the monument.[3] The film is taken from the American viewpoint of the Battle of Iwo Jima, while its companion film, Letters from Iwo Jima, which Eastwood also directed, is from the Japanese viewpoint of the battle. Letters from Iwo Jima was released in Japan on December 9, 2006, and in the United States on December 20, 2006, two months after the release of Flags of Our Fathers on October 20, 2006.
Plot[edit]As three US servicemen â Marine Private First Class Ira Hayes, Private First Class Rene Gagnon, and Navy CorpsmanJohn 'Doc' Bradley â are feted as heroes in a war bond drive, they reflect on their experiences via flashback. After training at Camp Tarawa in Hawaii, the 28th Marine Regiment5th Marine Division sails to invade Iwo Jima. The Navy bombards suspected Japanese positions for three days. Sergeant Mike Strank is put in charge of Second Platoon. The next day, February 19, 1945, the Marines land in Higgins boats and LVTs. The beaches are silent and Private First Class Ralph 'Iggy' Ignatowski wonders if the defenders are all dead before Japanese heavy artillery and machine guns open fire on the advancing Marines and the Navy ships. Casualties are heavy, but the beaches are secured. Two days later, the Marines attack Mount Suribachi under a rain of Japanese artillery and machine gun fire, as the Navy bombards the mountain. Doc saves the lives of several Marines under fire, which later earns him the Navy Cross. The mountain is eventually secured. On February 23, the platoon under command of Sergeant Hank Hansen reaches the top of Mount Suribachi and hoists the United States flag to cheers from the beaches and the ships. Secretary of the Navy James Forrestal, who witnesses the flag raising as he lands on the beach, requests the flag for himself. Colonel Chandler Johnson decides his 2nd Battalion deserves the flag more. Rene is sent up with Second Platoon to replace the first flag with a second one for Forrestal to take. Mike, Doc, Ira, Rene, and two other Marines (Corporal Harlon Block and Private First Class Franklin Sousley) are photographed by Joe Rosenthal as they raise the second flag. On March 1, the Second Platoon is ambushed from a Japanese machine gun nest. During the fight over the nest, Mike is hit by a U.S. Navy shell and dies from his wounds. Later that day, Hank is shot in the chest and dies, and Harlon is killed by machine gun fire. Two nights later, while Doc is helping a wounded Marine, Iggy is abducted by Japanese troops and dragged into a tunnel. Doc finds his viciously mangled body a few days later. On March 21, Franklin is killed by machine gun fire and dies in Ira's arms. Of the eight men in the squad, only three are left: Doc, Ira, and Rene. A few days after Franklin's death, Doc is wounded by artillery fire while trying to save a fellow corpsman. He survives and is sent back home. On March 26, the battle ends and the U.S. Marines are victorious. After the battle, the press gets hold of Rosenthal's photograph. It is a huge morale booster and becomes famous. Rene is asked to name the six men in the photo; he identifies himself, Mike, Doc, and Franklin, but misidentifies Harlon as Hank. Rene eventually names Ira as the sixth man, even after Ira threatens to kill him for doing so. Doc, Ira, and Rene are sent home as part of the seventh bond tour. When they arrive to a hero's welcome in Washington, DC, Doc notices that Hank's mother is on the list of mothers of the dead flag raisers. Ira angrily denounces the bond drive as a farce. The men are reprimanded by Bud Gerber of the Treasury Department, who tells them that the country cannot afford the war and if the bond drive fails, the U.S. will abandon the Pacific and their sacrifices will be for nothing. The three agree not to tell anyone that Hank was not in the photograph. As the three are sent around the country to raise money and make speeches, Ira is guilt-ridden, faces discrimination as a Native American, and descends into alcoholism. After he throws up one night in front of General Alexander Vandegrift, commandant of the Marine Corps, he is sent back to his unit and the bond drive continues without him. After the war, the three survivors return to their homes. Ira still struggles with alcoholism and is never able to escape his unwanted fame. One day after being released from jail, he hitchhikes over 1,300 miles to Texas to see Harlon Block's family. He tells Harlon's father that his son was indeed at the base of the flag in the photograph. In 1954, the USMC War Memorial is dedicated and the three flag raisers see each other one last time. In 1955, Ira dies of exposure after a night of drinking. That same year, Doc drives to the town where Iggy's mother lives to tell her how Iggy died, though it is implied that he does not tell her the truth. Rene attempts a business career, but finds that the opportunities and offers he received during the bond drive are rescinded. He spends the rest of his life as a janitor. Doc, by contrast, is successful, buying a funeral home. In 1994, on his deathbed, he tells his story to his son, James, and in a final flashback to 1945, the men swim in the ocean after raising the flags. Cast[edit]
Production[edit]The film rights to the book were purchased by DreamWorks in June 2000.[4] Producer Steven Spielberg brought William Broyles to write the first drafts of the script, before director Clint Eastwood brought Paul Haggis to rewrite.[5] In the process of reading about the Japanese perspective of the war, in particular General Tadamichi Kuribayashi, Eastwood decided to film a companion piece with Letters from Iwo Jima, which was shot entirely in Japanese.[6]Bradley Cooper auditioned for one of the leading roles.[7]Flags of Our Fathers was shot in the course of 58 days.[6]Jared Leto was originally cast as Rene Gagnon but had to back out due to a tour commitment with his band, Thirty Seconds to Mars.[8] Flags of Our Fathers cost $55 million, although it was originally budgeted at $80 million. Variety subsequently downgraded the price tag to $55 million. Although the film is taken from the American viewpoint of the battle, it was filmed almost entirely in Iceland and Southern California, with a few scenes shot in Chicago. Shooting ended early 2006, before production for Letters from Iwo Jima began in March 2006. Release[edit]Critical reception[edit]The film received positive reviews, with the review tallying website Rotten Tomatoes reporting that 138 out of the 189 reviews they tallied were positive for a score of 73% and a certification of 'fresh'.[9] On Metacritic, the film scored a 79 out of 100 based on 39 reviews, indicating 'Generally favorable reviews.'[10] The film made the top-10 list of the National Board of Review. Eastwood also earned a Golden Globe nomination for directing. The film was nominated for two Academy Awards â for Best Sound (John T. Reitz, David E. Campbell, Gregg Rudloff, and Walt Martin) and Sound Editing.[11] Film critic Richard Roeper said, 'Clint Eastwood's Flags of Our Fathers stands with the Oscar-winning Unforgiven and Million Dollar Baby as an American masterpiece. It is a searing and powerful work from a 76-year-old artist who remains at the top of his game.. [and] Flags of Our Fathers is a patriotic film in that it honors those who fought in the Pacific, but it is also patriotic because it questions the official version of the truth, and reminds us that superheroes exist only in comic books and cartoon movies.'[12] Top ten lists[edit]Flags of Our Fathers was listed on numerous critics' top ten lists for 2006.[13]
Box office[edit]Despite critical acclaim, the film under-performed at the box office, earning just $65,900,249 worldwide on an estimated $90 million production budget. It took in $2.7 million less than its companion film Letters From Iwo Jima, which had a budget of $71 million less (its total budget being $19 million).[17] Spike Lee controversy[edit]At the 2008 Cannes Film Festival, director Spike Lee, who was making Miracle at St. Anna, about an all-black U.S. division fighting in Italy during World War II, criticized director Clint Eastwood for not depicting black Marines in Flags of Our Fathers.[18] Citing historical accuracy, Eastwood responded that his film was specifically about the Marines who raised the flag on Mount Suribachi at Iwo Jima, pointing out that while black Marines did fight at Iwo Jima, the U.S. military was segregated during World War II, and none of the men who raised the flag was black. Eastwood believed Lee was using the comments to promote Miracle at St. Anna and angrily said that Lee should 'shut his face'.[18] Lee responded that Eastwood was acting like an 'angry old man', and argued that despite making two Iwo Jima films back to back, Letters from Iwo Jima and Flags of Our Fathers, 'there was not one black Marine in both of those films'.[19][20][21] Wii-WBFS (NTSC, ENG) ------------------------------------------ (Another Server) Password: skidrowfull.com ========================================== New Super Mario Bros. Wii-ISO (PAL, MULTI5) Size: 4.37 GB _____________ TORRENT LINKS New Super Mario Bros. Wii-ISO (PAL, MULTI5) ------------------------------------------- (Another Server) (Another Server) (Another Server) Password: skidrowfull.com ======================================== New Super Mario Bros. New Super Mario Bros. Wii-WBFS (NTSC, ENG) Size: 3.23 GB __________ New Super Mario Bros. Download wii iso torrents. Contrary to Lee's claims, however, black Marines (including an all-black unit) are seen in several scenes during which the mission is outlined, as well as during the initial landings, when a wounded black Marine is carried away. During the end credits, historical photographs taken during the Battle of Iwo Jima show black Marines. Although black Marines fought in the battle, they were restricted to auxiliary roles, such as ammunition supply, and were not involved in the battle's major assaults; they did, however, take part in defensive actions.[22] According to Alexander M. Bielakowski and Raffaele Ruggeri, 'Half a million African Americans served overseas during World War II, almost all in segregated second-line units.'[23] The number of African Americans killed in action was 708.[24] Spielberg later intervened between the two directors, after which Lee sent a copy of a film on which he was working to Eastwood for a private screening as a seeming token of apology.[18] Home media[edit]The DVD was released in the United States by DreamWorks Home Entertainment and internationally by Warner Home Video on February 6, 2007. It is devoid of any special features. A two-disc Special Collector's Edition DVD (with special features) was released on May 22, 2007.[25] It was also released on HD DVD and Blu-ray formats.[26] The Two-Disc Special Collector's Edition DVD is also available in a five-disc commemorative set that also includes the two-disc Special Collector's Edition of Letters from Iwo Jima and a bonus fifth disc containing History Channel's Heroes of Iwo Jima documentary and To the Shores of Iwo Jima, a documentary produced by the United States Navy and the United States Marine Corps, released by Warner Home Video.[27] See also[edit]References[edit]
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Retrieved from 'https://en.wikipedia.org/w/index.php?title=Flags_of_Our_Fathers_(film)&oldid=896772715'
(141mins, 15) Directed by Clint Eastwood; starring Ken Watanabe, Kazunari Ninomiya, Tsuyoshi Ihara, Ryo Kase, Shido Nakamura Clint Eastwood's account of the 1945 battle for Iwo Jima from the viewpoint of the Japanese defenders complements Flags of Our Fathers, his film about the American invaders and the way the iconic photography of Old Glory being raised on Mount Suribachi was exploited for patriotic ends in the States. It isn't the first movie about the war in the Pacific to be made in Japanese and directed by an American. That was the bizarre Saga of Anatahan, the true story of Japanese sailors shipwrecked in 1944 on a remote island and holding out for seven years, refusing to believe Japan had lost the war. Made in 1953 by Josef von Sternberg on sets in a Japanese studio, it received limited distribution and is rarely revived. Both Eastwood pictures are masterpieces of humanist cinema, forming a magnificent diptych. They're about glory and heroism and bring into question both concepts, centring on a bloody, costly battle for a barren, waterless island of rock and black volcanic sand that happens to be part of the Japanese empire. Letters is framed by the discovery of a cache of letters hidden in 1945 and exhumed 60 years later. They symbolise the burial and retrieval of the past, one of the film's subjects, and as they float down at the end, slow motion is used for the only time. Unlike Flags of Our Fathers, which centres on the experience of three US soldiers who participated in the flag-raising, Letters pays equal attention to General Kuribayashi (a towering performance from Ken Watanabe) and his staff and to several lowly conscripts, most notably Private Saigo (Kazunari Ninomiya), a baker in civilian life. Both men are realists, aware that defeat is imminent. But the general, a concerned leader and professional soldier, knows that honour dictates that he must die, while the private is determined to see his wife and baby daughter again. The film opens with Kuribayashi's arrival, his disgust at the lack of co-operation between the services, the foolish conduct of zealots and the unimaginative plans of defence. Instead of meeting the inevitable invasion on the beaches, he builds a labyrinth of tunnels in which his army lives like burrowing animals. As a result, the battle is extended from the three days anticipated by the Americans to more than a month. The movie is doom-laden and non-triumphalist, with a plangent score co-written by Eastwood's son Kyle, and characteristically dark cinematography. The flashbacks to Japan involving Saigo and a former military policeman, who's been dispatched to the front line as a punishment for an act of kindness, do not reflect happier times. They show the madness of war fever on the home front. Kuribayashi's flashbacks to when he studied with the US army in the late 1920s are brightly lit to express his love of the States and the hopes he had for harmonious relations between Japan and America. A major symbol is the pearl-handled 1911 Colt pistol he's given by American colleagues as a farewell present at Fort Bliss, New Mexico. His troops believe he's taken it from a US soldier he's killed and it ends up as a souvenir in the possession of a GI. The battle scenes are brilliantly handled, and what we best remember are moments of horror: a mass suicide of trapped soldiers killing themselves with hand grenades, for instance, and matching scenes of an injured American being bayoneted by his Japanese captors and two Americans casually killing a pair of Japanese POWs. Yet there are also moments of kindness and dignity as when the general plans for the baker's survival, and a moving encounter between Baron Nishi, the Japanese equestrian star who won a gold medal at the 1932 Olympics in Los Angeles, and a dying marine he saves from his angry men. The film is based on a scenario by Paul Haggis, who co-scripted Flags of Our Fathers and won an Oscar for Million Dollar Baby, but the carefully organised screenplay is the work of Japanese-American writer Iris Yamashita, a discovery of Haggis's. It is a fine piece of work, though there are inevitably numerous scenes and incidents familiar from other pictures. Indeed the war movie, whatever its setting, is part of a genre that has its roots in the Trojan War. The film it most brings to my mind is John Ford's poetic, beautifully understated They Were Expendable, released just after the end of the Second World War, and also a case of victory in defeat, in that case of US sailors fighting a rearguard action during the Japanese invasion of the Philippines in 1942. Both raise our respect for the human spirit and enhance our understanding of what it means to live and to die. Performance Credits
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